birgitte moos chalcraft
Thesis for Master of Applied Positive Psychology, Aarhus University, Copenhagen - by Birgitte Moos Chalcraft, January 27, 2020:
How to Generate Teamflow in an Interdisciplinary Team of Theatre Artists? Request to read
Hamlet_ex_Tender. Art Statement by Birgitte Moos, 2016
White Cows. Art Statement by Birgitte Moos, 2014
Hamlet Skull Bank. Art Statement by Birgitte Moos, 2013
People Come Back, Transformed. Art Statement by Birgitte Moos, 2012
Sampled Asia. Art Statement by Birgitte Moos, 2012
The Memory Palace Series. Art Statement by Birgitte Moos, 2011
Ph.D. proposal for Columbia University, NYC - by Birgitte Moos, 2011.
REVOLUTIONARY SPACES - interdisciplinary set design after the post-modern theatre
SugarShock. Art Statement by Birgitte Moos, 2011
Citizen LA Magazine – Los Angeles. Review by Birgitte Moos, October 1, 2009.
Siegfried at Los Angeles Opera. Directed and designed by Achim Freyer
Fake it Till You make it. Art Statement by Birgitte Moos, 2009
Diesel Wall. Art Statement by Birgitte Moos, 2009
Making the F. Word Fashion. Art Statement by Birgitte Moos, 2007
Citizen LA Magazine - Los Angeles. Review by Birgitte Moos, January 5, 2006
Parsifal at Los Angeles Opera. Directed and designed by Robert Wilson
Repulsive Repetition Series. Art Statement by Birgitte Moos, 2006
Ph.D. proposal for The Royal College of Art, Copenhagen - by Birgitte Moos, 2002
The Hamletmachine - Thesis from The Royal College of Art, Copenhagen - by Birgitte Moos, 2000
Alt2000_Time is Now. Art Statement by Birgitte Moos, 1997
© Birgitte Moos Chalcraft 2021